INFINITE WORLDS
Participants
EXHIBITION PARTICIPATION
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Dear artists and gallery owners!
The concept of “Infinite Worlds” comes from the paradoxical idea of the vastness of the universe and the tiny building blocks of life. Looking at the sky, we see infinite stars and galaxies, but on a microscopic level we find the same repetitive patterns. The exhibition project is based on similar interconnections – how everything that exists, from the cosmos to digital landscapes, is able to echo and echo, to scale and succumb to deformations that are yet to be understood by a generation.
Just as galaxies form and change over time, our perception of reality is constantly evolving. Artificial intelligence and digital technology allow us to explore new dimensions, creating images that once seemed impossible. “Infinite Worlds” is an exhibition that asks the questions: What is real? What is imaginary? How do artists and thinkers shape the worlds they want to see?
We live in an era of uncivilized notions of the boundaries of time. “Infinite Worlds” explores how artists, using different techniques, memory and imagination, present the possibility of existing within the paradigm of the theory of eternalism, the three colors of time – past, present, future. Inspired by retrofuturism, artificial intelligence, and the mysteries of the universe, the exhibition brings together diverse artistic visions that reimagine our collective present and future.
The artists in this exhibition address themes of time, technology, and the human experience.
Some look back to past visions of the future – mid-century utopias, early digital dreams – while others look forward, imagining worlds shaped by artificial intelligence, climate change and changing social constructs. The result is a dialog about what is to come and the role of creativity’s influence on these changes.
“Infinite Worlds” is not just an exhibition; it is an evolving discourse. It is an invitation to rethink our relationship with time, technology and artistic creation. Addressing speculative aesthetics and historical foresight, the exhibition opens a space for reflection, calling us to consider the future we inherit, create and ultimately shape through art.
The exhibition goes beyond traditional perceptual formats to include panel discussions with leading thinkers in philosophy, technology and aesthetics, as well as workshops on creating digital art, the use of machine learning in creative practice and speculative design techniques. Screenings of experimental cinema and classic science fiction films further explore the themes of the exhibition, while live performances transform the space into a platform for ongoing dialog and transformation.